Avenue_Q Tutorials
Avenue Q is a musical conceived by Robert Lopez and Jeff Marx, who wrote the music and lyrics, and directed by Jason Moore. The book is by Jeff Whitty and is largely inspired by (and is in the style of) Sesame Street; most of the characters in the show are puppets (operated by actors onstage), the set depicts several tenements on a rundown street in an Outer Borough of New York City, both the live characters and puppet characters sing, and short animated video clips are played as part of the story. The show was initially developed at the 2002 National Music Theatre Conference at the Eugene O'Neill Theater Center in Waterford, Connecticut. It was then produced by and opened at the Off-Broadway Vineyard Theatre in March 2003. The production transferred to Broadway in July 2003 and won several Tony Awards, including the award for Best Musical. The show spawned a 2005 Las Vegas production, a 2006 West End production and various international productions. An Australian national tour began in June 2009 and will end in June 2010. Several characters are recognizably parodies of classic Sesame Street characters: for example, the roommates Rod and Nicky are based on Bert and Ernie, while Trekkie Monster is based on Cookie Monster.[1] However, the characters are in their twenties and thirties and face adult problems instead of those faced by children of varying ages, thus making the show more suited for the adults who grew up with and worked on Sesame Street. Four of the original cast members (John Tartaglia, Stephanie D'Abruzzo, Jennifer Barnhart and Rick Lyon) had worked on Sesame Street before. Part of the humor of the show comes from its contrast to Sesame Street: the characters use profanity in their dialogue (both spoken and sung), and the songs concern adult themes such as sex and sexuality. A recurring theme is the central character's search for a "purpose". Since the original cast recording was released, the song "The Internet Is for Porn" has become particularly popular on websites such as YouTube. According to the official site, the musical is appropriate for both adults and mature teenagers. After a run lasting more than six years and 2,534 performances, the Broadway production of Avenue Q closed on September 13, 2009.[2] The production ranked as the 21st longest running show in Broadway history at the time of its closing. Moments after the final Broadway performance ended, producer Kevin McCollum announced that Avenue Q will transfer to New World Stages for another Off Broadway run.[3][4] The show is explicitly an homage to the PBS children's television program Sesame Street. Both Marx and puppet designer/original cast member Rick Lyon have worked for Sesame Street, as have the other puppeteers in the original cast. Unlike Sesame Street, Avenue Q openly addresses adult topics such as racism, pornography, and homosexuality; in fact, because of its adult language and content and "full puppet nudity" (including puppet sex), the show specifically disclaims any connection to either Sesame Workshop (formerly known as the Children's Television Workshop) or The Jim Henson Company. In an interview with Britain's The Times, addressing the question of potential conflicts with Henson, Marx claimed, “During early previews in the States we invited Jim Henson's widow and children and they could see that what we were doing was an homage and love letter to 'Sesame Street.'”[5] The characters who are not puppets relate to the puppets, rather than to the actors holding them. The puppets also speak directly to each other and never to the actors operating them. During the course of the show, a puppet character may be operated by more than one of the actor-operators, although the same actor creates the voice for a particular puppet even if he or she is not holding the puppet at the time. The puppeteers wear nondescript black/gray clothing while the puppets and the three human characters (Brian, Christmas Eve and Gary Coleman) are dressed in bright colors. There is speculation that the characters of Kate Monster and Mrs. Thistletwat were named after characters from the classic play The Heiress. Mrs. Thistletwat refers to Kate Monster as Katherine and Kate Monster reveals that Mrs. Thistletwat's first name is Lavinia. Lucy the Slut may also be a name taken from the classic The Beggar's Opera as this musical has a character named Lucy who is repeatedly called a slut. As stated in the Broadway Playbill, the scene is a fictional street located "in an outer-outer borough of New York City." Manhattan, the center of New York City, has Avenues A, B, C, and D, making up the Alphabet City neighborhood. Alternately, Avenue Q could be in the Midwood and Gravesend area of Brooklyn, where there are also Avenues A, B, C, etc. all the way up to Avenue Z, with a few exceptions. One of the exceptions is Avenue Q; the street between Avenue P and Avenue R is known as Quentin Road, named for Quentin Roosevelt, the youngest son of President Theodore Roosevelt. The Q subway train, whose symbol used to be a Q in an orange circle resembling the Avenue Q logo, travels through this neighborhood. The story starts off with Princeton, a recent college graduate, looking for an affordable apartment in New York City while attempting to find his purpose in life ("What Do You Do with a BA in English?"). At Avenue Q, we meet a group of neighbors who live on that street: Kate Monster, an assistant kindergarten teacher who is currently single; Nicky and Rod, two long-time roommates; Brian, an unemployed comedian; Christmas Eve, Brian's Japanese-American fiancée, a therapist with no clients; and Gary Coleman, former child star of the TV show Diff'rent Strokes, now the apartment superintendent. They all argue about whose life is worse ("It Sucks to Be Me"). The following afternoon, Rod's alone time in the apartment is ruined by Nicky appearing and telling the story of a gay guy he had met on the subway. Rod's reaction casts his sexuality into question ("If You Were Gay"). The job that Princeton had lined up is eliminated, sending him on a search for his purpose in life, spurred by a penny made in his birth year ("Purpose"). Everyone explains their purpose in life, with Kate telling of her dreams of opening a school for monsters. When Princeton asks whether she and Trekkie Monster are related, Kate is offended at the implication that all monsters must be related, calling him racist ("Everyone's a Little Bit Racist"). Afterwards, Princeton is approached by the Bad Idea Bears, two innocent-looking teddy bears who distract him from finding his purpose and convince him to spend the money from his parents on a case of beer. Kate receives a phone call from her boss, Mrs. Thistletwat, telling her that she has heart transplant surgery scheduled for the next day, and needs Kate to teach the morning class, allowing her to teach whatever subject she likes. Kate, excited at the opportunity, plans to teach about the Internet, but Trekkie Monster cuts in claiming that the Internet is only good for pornography ("The Internet is for Porn") Afterward, Princeton comes over to deliver a mixtape, confirming Kate's suspicions that he has a crush on her ("Mix Tape") and he invites Kate to the Around the Clock Café on a date that night to see a "singer everybody's going to see", who is revealed to be Lucy the Slut. At the café, Brian performs the opening act ("I'm Not Wearing Underwear Today") and introduces Lucy the Slut, who performs a seductive cabaret number ("Special"). Kate refrains from drinking at first, as she has her important teaching assignment in the morning, but the Bad Idea Bears suggest that they have some "harmless" Long Island Iced Teas and play drinking games. When Kate is eventually drunk, the Bad Idea Bears convince Princeton to take her home for sex ("You Can Be as Loud as the Hell You Want (When You're Makin' Love)"). A sleepless Rod hears Nicky talking in his sleep about his love for Rod, and is jubilant that his secret crush is mutual. However, he wakes to discover that it was he who had been dreaming and is left heartbroken. At the same time, as Kate and Princeton happily lie in bed, Princeton gives Kate his lucky penny to let her know how much she means to him ("Fantasies Come True"). The next day, Mrs. Thistletwat calls: Kate has missed the morning class that she was supposed to teach. This leads to Kate angrily quitting. Princeton asks Kate to be his girlfriend and to accompany him to Brian and Christmas Eve's wedding. At the wedding, the neighbors ask Nicky whether Rod is gay. Nicky confirms that Rod is a "closeted homosexual"; Rod overhears him and vehemently denies this – they simply have not met Rod's "girlfriend" ("My Girlfriend Who Lives in Canada"). Deeply hurt, Rod throws Nicky out of their apartment. Princeton, scared of commitment after witnessing the wedding, breaks up with Kate, asking her to be friends ("There's a Fine, Fine Line"). Princeton sinks into depression, but is soon roused by fellow residents ("There Is Life Outside Your Apartment") and Princeton decides to take Lucy the Slut home with him. Kate is jealous, and Christmas Eve explains that Kate is angry because she actually loves Princeton ("The More You Ruv Someone", which pays homage to "I Have a Love" from West Side Story). Kate stops by to invite Princeton to meet her at the top of the Empire State Building. He is in the shower, so she leaves the letter with Lucy, who promptly destroys it. Nicky finds himself out on the streets and begs Gary to take him in. ("Schadenfreude"). Princeton looks for Lucy, who has left without saying goodbye. Kate, standing on the viewing platform at the top of the Empire State Building, is angry that Princeton seems to have stood her up, and she throws the penny that he gave her off the platform. Far below, Lucy, passing by, is hit in the head by the penny and knocked into a coma. At the hospital, Kate and Princeton attempt to work out their problems, but Princeton is still not ready for commitment. Nicky attempts a reconciliation with Rod, who is too proud to accept his apology, despite clearly missing him. Rod tearfully consults with Christmas Eve, who gently nudges him out of the closet. Everyone ponders what it would be like to return to happier times ("I Wish I Could Go Back to College"). Nicky's begging eventually leads Princeton to resolve to fund Kate's monster school. After he raises next to nothing, the actors break the fourth wall and ask the audience for money ("The Money Song"). Trekkie Monster, finding out what the appeal is for, remembers his hellish school days and donates $10 million, supposedly from investing in pornography ("School for Monsters/The Money Song (Reprise)"). Kate is delighted with the new school. Brian has a new consulting job and Christmas Eve a steady client (Rod), so they are leaving Avenue Q for "a better place" on the Lower East Side (in some performances, they move to Hell's Kitchen). Rod reveals, to no one's surprise, that he is gay, and invites Nicky to move back in with him; Nicky has found a boyfriend for Rod: a muscle-bound hunk named Ricky, who looks and sounds exactly like Nicky. Meanwhile, the Bad Idea Bears have found Scientology, and Lucy has recovered to become a born-again Christian. Kate is impressed that Princeton has made her monster school a reality and they agree to give their relationship another go ("There's a Fine, Fine Line (Reprise)"). A new kid arrives in town ("What Do You Do with a BA in English (Reprise)") and Princeton has a revelation: his purpose may be to pass on everything he's learned about real life by putting it all into a show. This idea is soon abandoned and Princeton realises he may never find his purpose ("For Now"). ‡ = Not on original cast recording. So far, there are eight known songs associated with Avenue Q that are not in the show itself. Avenue Q was initially developed at the 2002 National Music Theatre Conference at the Eugene O'Neill Theater Center in Waterford, Connecticut. The musical opened off-Broadway at the Vineyard Theatre on March 20, 2003 and closed on May 4, 2003. It won the 2003 Lucille Lortel Award for Best Musical. The production then transferred to Broadway at the John Golden Theatre beginning on July 10, 2003 in previews with an official opening on July 31, 2003. The Broadway production closed on September 13, 2009 after 22 previews and 2,534 regular performances.[2] Avenue Q won three 2004 Tony Awards, including the Tony Award for Best Musical, Best Book and Best Score, despite strong competition from Wicked. The production was directed by Jason Moore and choreographed by Ken Roberson. The puppets were conceived and designed by original cast member Rick Lyon. Stephen Oremus did musical supervision, orchestration and arrangements for Avenue Q and its cast album. The Original Broadway cast included: The final Broadway cast included: As of June 21, 2009, the production had grossed $117,009,852 and had returned profits of $23,500,000 to its investors.[2] On September 8, 2005, a second production of Avenue Q opened up at the Wynn Las Vegas hotel and casino in Las Vegas. This production had an "exclusive" contract that precluded Avenue Q tours in North America. A new 1,200 seat theater was built specially for the show. There were some differences from the Broadway production, including a new reprise of "It Sucks to Be Me" for Princeton at the top of Act Two, some new orchestrations, a trimmed "The Money Song," and a new rock arrangement of "There Is Life Outside Your Apartment," as well as a few jokes aimed at Las Vegas audiences. In mid-January 2006, the show was cut to 90 minutes, removing the intermission and trimming 10–15 minutes of material. Steve Wynn promoted the show heavily, including dressing 20 cabs in orange fuzz to promote the show. They had "Q" in white letters etched in front. The show closed on May 28, 2006, after a nine-month run.[8] The closing of the show in Las Vegas released the Avenue Q producers from their exclusivity agreement, opening the way for other U.S. productions. A production premiered in June 2006 in London's West End at the Noël Coward Theatre (Avenue Q is its first production since it changed its name from the Albery Theatre), produced by Cameron Mackintosh. The show previewed on June 1, 2006 and opened on June 28, 2006. Avenue Q was booking in London until April 25, 2009 but posted early closing notices on October 17, 2008 to schedule its closure on March 28, 2009, after 1179 performances. However, following a surge in ticket sales, the show then announced that it would not close, but instead have an eight week break before re-opening on June 1, 2009 at the Gielgud Theatre on Shaftesbury Avenue (it was not able to stay at the Noël Coward Theatre because it was already set to be the venue for producer Cameron Mackintosh's production of Calendar Girls). After a further 327 performances at the Gielgud, on March 13, 2010, the show moved to the Wyndham's Theatre[9] opening there just six days later to make way for the Broadway transfer of Hair (musical)[10]. The show is currently booking through September 25, 2010 at the Wyndham's.[11] The production uses a different logo for the show as well as the original logo.[12] The original logo is styled after the New York City Subway system graphics, and so it would have little resonance with a London audience. The most noticeable initial change was that Gary Coleman was assumed not to be well known enough for a UK audience, and the character was changed to "Gary — that famous kid from TV" and cast as a male actor instead of a female. This also caused a rewrite of the orchestration's nod to Diff'rent Strokes in "It Sucks To Be Me" and a slightly revised lyric for Gary in the song. After audience polling, the character's name was changed back to Gary Coleman, the Diff'rent Strokes theme quote was re-included in the score, and the original dialogue of his catchphrase, "Whatchoo talkin' about Willis?", was reinstated. The lyrics remained in their altered version, and Gary is still cast with a male actor (although understudies for the role are both male and female.) Other major changes between Broadway and London are as follows: The original London cast (starting June 28, 2006) was: Notable replacement actors include: The first national tour began at the Spreckels Theatre in San Diego, California on June 30, 2007.[15] It was directed by Jason Moore, and choreographed by Ken Roberson with music supervision by Stephen Oremus and musical direction by Andrew Graham. The tour played a total of 721 performances and closed at the Fox Cities Performing Arts Center in Appleton, Wisconsin on May 10, 2009.[16] The original cast included Robert McClure as Princeton/Rod & Kelli Sawyer as Kate Monster/Lucy The Slut.[17] Per the Opening Night Playbill the original cast was as follows (The San Diego engagement ran until August 5, 2007): Per the Appleton, Wisconsin Playbill the closing cast was as follows (The Appleton engagement ran until May 10, 2009): For the Toronto part of the tour, Producer Dancap Productions and Advertising Agency Sans Blah launched a contest allowing fans of the show to win tickets by uploading photos of them self and adding the Avenue Q characters. The contest ended August 26, but the site still allows fans to create photos.[18] A second national tour of 'Avenue Q' opened with a non-Equity cast in Clemson, South Carolina on September 24, 2009.The cast is as follows:[19] The musical transfered back to off-Broadway at New World Stages in previews on October 9, 2009, officially on October 21, 2009. The cast features Anika Larsen as Kate Monster, Seth Rettberg as Princeton/Rod, Cullen Titmus as Nicky/Trekkie Monster, Danielle K. Thomas as Gary Coleman (who also played that role in the first national tour of the show), Sala Iwamatsu as Christmas Eve, Nicholas Kohn as Brian and Maggie Lakis as Mrs. T/Bad Idea Bear.[20] The first translated version of the musical opened on February 16, 2007 in Stockholm, Sweden, at Maxim teatern, starring Jakob Stadell as Princeton/Rod, and Cecilia Wrangel as Kate Monster/Lucy the Slut. Avenue Q played at the Savoy Theatre in Helsinki, Finland, from February 23, 2007 to May 19, 2007. A Filipino production ran in Manila in September and December 2007, and is scheduled to return in June 2008[dated info] at the Carlos P. Romulo Auditorium, directed by Bobby Garcia and Chari Arespacochaga. The original Manila cast included Felix Rivera as Princeton and Rod;[21] and Rachel Alejandro as Kate Monster and Lucy The Slut.[22] Other cast members in the Philippine production included former child-star Aiza Seguerra as Gary Coleman, Joel Trinidad as Trekkie Monster and Frenchie Dy as Christmas Eve. An Israeli production opened on October 23, 2007 at the Beth Lessin Theatre, directed by Moshe Kepten and translated into Hebrew by Eli Bijaoui.[23] It was heavily rewritten in order to make the show more accessible to the local public and language with the major change being the entire replacement of the Gary Coleman character by Michal Yannai, Former "Queen of Children". The Israeli cast includes Roy Bar-Natan as Princeton and Rod, Idan Alterman as Nicky and Bear and Tali Oren as Kate Monster and Lucy the Slut. Michal Yannai appears as "herself". An Israeli tour played in Jerusalem and Haifa in January and February 2008, but returned to Tel Aviv in March 2008. A Mexican version performed from April 29 to October 26 at Centro Cultural Telmex in Mexico City and is expected to tour Guadalajara and Monterrey in 2008.[dated info][24] This production underwent, several changes including a completely redesigned set, puppeteers wearing bold colors instead of the customary black/grey combination, a bus company advertisements on set, and the substitution of Gary Coleman for a character that references a local actor without explicitly mentioning his name (who reportedly complained about this reference remaining which he strictly forbade when approached earlier by the company)[25][26] The cast includes teen-band star Christian Chávez and other actors of telenovela and reality show background. This production's puppets were built by Rick Lyon's company. After its successful Manila run, the Philippine production played in Singapore[9] from October 30, 2008 to November 16, 2008 at the Esplanade - Theatres on the Bay.[27] A Russian version of the musical is planned for Moscow in late 2008. A French version of the musical is planned for Paris in late 2008. A Swedish tour started in October 2008, with dates booked for Umeå, Linköping, Gävle, Örebro, Halmstad, Lund, Kungsbacka, and Skövde.[28] This production will return to Stockholm in April, 2009. [10] As of February 2009, a Hungarian version of the musical is being shown in the Centrál Színház in Budapest. This production replaces the character "Gary Coleman" with "Michael Jackson" (because Gary Coleman is not well-known in Hungary) who, according to the story in the show, ended up on Avenue Q after two six-year-old boys sued him for his entire estate. Following Michael Jackson's death, in August 2009 the book was updated to say that Michael had gotten into immense debts ("Tina Turner was right, I really shouldn't have bought that fifth amusement park"), and "following Elvis' advice", he faked his own death to escape. The show is otherwise based on the London production.[29] In Istanbul, Turkey, the show premiered on 26 March 2009.[30] In Brazil, the musical is currently at São Paulo, after going to Rio de Janeiro. The show premiered in Italy on 16 October 2009 in Bologna and then in Rome on the 20th before starting a national tour. Puppets have been designed by world fastest quick-change artist Arturo Brachetti and are based on some popular Italian artists and showbiz faces. Kate Monster and Trekkie Monster have their names replaced with Kate Pelosa e Trekkie Peloso (peloso in Italian means "hairy"). The Australian production began previews on May 29, 2009 and opened on June 4, 2009 at the Comedy Theatre, Melbourne, Victoria. The production featured a local cast of 11, including Michala Banas in the role of Kate/Lucy T.Slut, Mitchell Butel as Princeton/Rod, Luke Joslin as Nikkie/Trekkie, Cherine Peck, David James, Christina O'neil, Josie Lane, Frank Hansen, Gus Murray, Natalie Alexopolous and Leah Howard[31] The production featured the original puppet design, but a new set design. It has a female Gary Coleman and makes contemporary references: the line "George Bush is only for now" was sung "Swine Flu is only for now", until Tony Abbott's election as leader of the opposition, when the line was changed to "Tony Abbott is only for now" and Trekkie Monster refers to porn as the only profitable industry in the global financial crisis. In "Everyone's a Little Bit Racist", Gary refers to Irish people ("Those dumb fuck Paddies"), not Polish or French. The production visited Sydney in August, before touring Canberra (Australian Capital Territory), Perth (Western Australia), Adelaide (South Australia), Brisbane (Queensland), and Wellington and Auckland in New Zealand.[32] In 2008, production company "Very Clever Theatre" received press and industry attention after they obtained the permission of the Authors and Producers of Avenue Q London, Cameron Mackintosh to create and perform a new production of the show at the Trinity Theatre in Royal Tunbridge Wells, in spite of the London production still running and the licenses remaining under heavy restriction. The single performance took place on August 2, 2008,[33] raising close to £3,000 for the BBC Children in Need charity. The subsequently award winning production is only of particular note because it is one of only two amateur productions of Avenue Q to ever be licensed in the world, the other of which took place in Kalamazoo the preceding January.[34] On September 30, 2004, the day of the first Bush-Kerry presidential debate, on a stage set up in Times Square, the cast of Avenue Q presented their version of the debate, called Avenue Q&A, with portrait puppets of Bush and Kerry created by Rick Lyon. Eighteen television networks covered the event. Lyon operated the Bush puppet, while Jennifer Barnhart operated the Kerry puppet. Each puppet sang responses to questions from Avenue Q's concerned residents, and then the whole cast sang to the rain-drenched crowds to "Vote your heart!" Regis Philbin and Kelly Ripa puppets created by Lyon hosted the first few minutes of an episode of Live! with Regis and Kelly.[citation needed] In addition, Rod and John Tartaglia did "man-on-the-street"-style interviews on the 2005 NBC broadcast of the Macy's Day Parade. Rod and John also appeared alongside other Broadway stars in a World AIDS Day benefit concert of Pippin held at the Manhattan Center on November 29, 2004. Rod played "The Head." In another World AIDS Day benefit, the original cast of Avenue Q and the cast of the recent Broadway revival of Fiddler On The Roof presented a 10-minute performance that was essentially a spoof of Fiddler and Avenue Q called "Avenue Jew,"[35] in which Trekkie Monster played the Fiddler Theme and, at its conclusion, ate the fiddle. In a sort of epilogue to Tevye's story, Tevye, his wife Golde, and his two remaining unwed daughters arrive on Avenue Jew, an area inhabited by Jewish puppets (the cast played Jewish versions of their usual characters). Avenue Jew is also home to some human Jews such as Brian and Hannukah Eve. The human Jews are fed up with the puppet Jews upstaging them. Jewish-American Princeton arrives asking "What do you do with a B.A. in Yiddish?" One of Tevye's daughter's, Shprintze, falls in love with Princeton, but Tevye forbids their union. The Matchmaker (who is played by Mrs. Thistletwat) sets Rod up with Lazar Wolf ("I'm a lonely man, Tevye"). After a brief interior monologue, Tevye finally consents to Princeton and Shprintze's marriage. Rod and Lazar Wolf also wish to be wed, so they decide to ask permission from the Tsar, who happens to be a puppet Bush, who forbids gay marriage. Ben Brantley interrupts, asking who the real Jewish people in the cast are, and the company finish by telling us that "everyone's a little bit Jewish" and "in theatre you can be whatever you want to be." In November 2005, the Avenue Q website held a "One Night Stand" contest, calling for people to register their puppets and see whose was most worthy to be put next to Rick Lyon's. Eventually, the contest narrowed to 10 entrants, and later to three, at which point the worthiest puppet and puppeteer were voted on. Andrew MacDonald Smith and his puppet Maurice Tipo won. On March 10, 2006, Smith and his puppet appeared onstage during a show performance, appearing in the café scene, singing the opening song and curtain call. In July 2006, several members of Avenue Q appeared for the opening ceremonies of the Gay Games in Chicago. In October 2006, Jonathan Root and Princeton presented the award for Best Young Adult Novel at the Quill Awards. In November 2006, the London cast appeared on the BBC program Children in Need and performed "It Sucks To Be Me." [36] In December 2006, the London cast performed on the Royal Variety Performance and performed "It Sucks To Be Me," "For Now," and "Special," in which Lucy the Slut suggested through lyrics and dialogue she was making a pass at Charles, Prince of Wales. The cast of Avenue Q and puppets appeared briefly in the 2007 "This Is New York" ad for tourists. The cast of Avenue Q and puppets took to the stage at Trafalgar Square on 4 July 2009 as part of the "London Pride 2009" celebration, performing "If You Were Gay", "Special" and "For Now" with 'Lucy the Slut' assuring all the ladies in the audience that she swings both ways. The cast of Avenue Q appeared on Late Night with Jimmy Fallon on August 13, 2009 to promote the last month of shows, performing "The Internet is for Porn" for the first time on national television. Although the puppets are substantially similar, there are three main types of puppets used in Avenue Q. Princeton, Kate Monster Rod, Lucy, The Bad Idea Bears, the Newcomer In both single rod and double rod puppets, the fingers have a skeleton of florist wire. This means that the fingers can be manipulated to make more intricate gestures. Nicky, Trekkie Monster, Mrs. Thistletwat, Ricky The original cast recording was made on August 10, 2003, at Right Track Studio A in New York City, produced by Grammy Award winner Jay David Saks for RCA Victor. The album contains almost all of the music from the show, with the original Broadway cast and orchestra. Released on October 6, 2003, it has been in the top ten of the Billboard Top Cast Album Chart since the chart's launch on January 12, 2006.[38] It was nominated for the Musical Show Album category in the 2004 Grammy Awards.[39] The cast album presents the music in the order in which it appears in the show, omitting short and primarily instrumental sections. Though not included on the cast album, the cut song “Tear It Up And Throw It Away” was recorded by Stephanie D’Abruzzo and Rick Lyon and issued for a time inside copies of the souvenir program book. Other recorded songs by members of the Broadway cast include three which are not part of the show: "Rod's Dilemma" (which can be heard on avenueq.com), "Only In Vegas", and two Christmas songs: "Rod's Christmas" (on Carols For A Cure, Vol. 5) and "Holi-Daze" (co-written by Michael Patrick Walker and Phoebe Kreutz) (on Carols For A Cure, Vol. 8). See "Other Avenue Q Songs," above, for more information. Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "This 2003 smash musical is Sesame Street for grown-ups, with filthy-minded puppets who teach useful lessons like "The Internet Is for Porn." Somewhere, Big Bird is molting."[40] The soundtrack received a Grammy Award nomination The Producers (2001) · Thoroughly Modern Millie (2002) · Hairspray (2003) · Avenue Q (2004) · Monty Python's Spamalot (2005) · Jersey Boys (2006) · Spring Awakening (2007) · In the Heights (2008) · Billy Elliot the Musical (2009) The Producers (2001) · Urinetown (2002) · Hairspray (2003) · Avenue Q (2004) · The Light in the Piazza (2005) · The Drowsy Chaperone (2006) · Spring Awakening (2007) · In the Heights (2008) · Next to Normal (2009) The Producers (2001) · Urinetown (2002) · Hairspray (2003) · Avenue Q (2004) · The 25th Annual Putnam County Spelling Bee (2005) · The Drowsy Chaperone (2006) · Spring Awakening (2007) · Passing Strange (2008) · Billy Elliot the Musical (2009) |
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